4300 pageviews
FLIGHT--BILL W—rigorous
honesty. Two films side by side
FLIGHT
starring Denzell Washington is the 2012 cinematic story of a contemporary
alcoholic-addict whose line of work as an airline pilot had him spending lots
of nights in hotels and motels.
BILL
W starring at times Bill Wilson himself, at other times little known Blake
Evans as Bill Wilson as a young man, is the 2012 cinematic story of a 1930s
alcoholic-addict whose line of work, researching investment possibilities
around the country, also had him spending lots of nights in hotels. Commercial flying and motels weren’t common
yet.
In
my opinion, FLIGHT gives us the story of airline Captain “Whip” Whitaker with
rigorous honesty. By contrast, BILL W
tells the story of the founder of Alcoholics Anonymous with far less than
rigorous honesty.
The
term rigorous honesty comes straight from AA literature and makes a
great tool for reviewing these two films about alcohol and drug addiction. Rigorous honesty is perhaps best
defined as “The truth, the whole truth,
and nothing but the truth.”
Let’s
take a look at how honestly these recent films deal with six important parts of
life: alcohol, drugs, sex, gender,
religion and race.
Alcohol and drugs. Regarding alcohol and drugs or intoxicants in
general, historical investigations have shown us for several decades now, that
both Bill Wilson and Dr. Bob Smith did lots of barbiturates along with their
drinking. Bill W even carried “goof
balls” around with him while sobering up Dr. Bob. Way back in the 1930s Dr. Bob was honest
enough to tell us he was obsessed with two fears: one, that he would run out of
booze; and two, that he would never fall asleep. BILL W mentions barbiturates and LSD briefly,
but in so doing, suggest they are not essentially related to alcoholism. FLIGHT by contrast, shows us so much about
alcohol and drugs, many younger people new to recovery have difficulty watching
the film without being triggered. Said differently,
FLIGHT tells more of the truth than BILL W.
Regarding sex, BILL W never even hints
that Bill Wilson was having lots of sex in those hotel rooms he inhabited while
he was researching for Wall Street investors.
Even worse, BILL W leads us to believe he did all his drinking exclusively
in the company of men. BILL W even
“recreates” one of Wilson’s last benders, a three day one in a cheap Manhattan
hotel room, as though there was nothing in that room but Bill and booze. Now why would a New York married man,
chronically broke and famous for womanizing even in sobriety, be renting a
cheap hotel room in downtown Manhattan?
Probably not to be a hermit! The film BILL W airbrushes the sex out of
Bill Wilson’s story as did Bill Wilson himself.
Not surprising. Times were
different and Lois Wilson was often in the audience. Nonetheless, BILL W suffers by telling us
less than the whole truth. Some guess
those omissions led to long bouts of depression for Wilson. FLIGHT by contrast, shows us how a traveling
lifestyle leads to alcohol, drugs and lots of sex. FLIGHT tells the whole truth. Like most people, I like hot sex in my
movies.
Regarding women, there are no women
alcoholics in BILL W. The wives of
alcoholic men do appear, mostly to wring their hands. BILL W is a documentary about married white
middle-class men. By contrast, FLIGHT
fleshes out the stories of both a male and a female alcoholic-addict. It gives us a little insight into the
addiction of one of Captain Cocaine’s female trysts. The women in FLIGHT are real, important. They too are protagonists. In this, FLIGHT is truer to life today. Bill W is of another age, pre-suffrage.
Regarding religion, BILL W, filmed for 2012
audiences, assumes those audiences will buy a 1930s religious sensitivity
without gagging. For example, BILL W, an
historical documentary, recreates Bill Wilson’s “white light” spiritual
experience by treating us thru camera trickery to bright light, clouds, and blowing wind
literally filling Bill’s hospital room.
This skeptic guesses all that stuff happened only inside Bill’s drugged
up head. Hospitalization back then was about medical detoxification. Lots of drugs were used: Belladonna,
paraldehyde syrup, various goof balls.
Camera trickery of this sort is not honesty. It’s a bit more than the real truth.
By
contrast, FLIGHT handles the issue of belief systems and recovery with honest
skepticism. My favorite scene in FLIGHT
is where Captain Whitaker meets with his co-pilot and with his co-pilots wife
in the hospital room. The co-pilot is
laid up in splints and traction devices.
Medical dripbags hang from stands in the background. Both the co-pilot and his wife are ardent
Born Again Christians. Mr. and Mrs.
Co-Pilot and Captain Cocaine kneel in prayer right there in the hospital room.
Denzell Washington’s face mutates subtly but he does not quite roll his
eyes. Oscar winning, magical realism
here! This scene merits viewing more
than once. FLIGHT invites the audience
to like the young couple while our jaws drop at their religious innocence
Regarding race, FLIGHT handles race issues
with sheer genius. This is of course a
Denzell Washington trademark. The
protagonist is a black male. His sexual
liaisons are tri-racial. His lawyer is
black, and very competent. This lawyer
is even slightly familiar with the cocaine scene. Captain Cocaine’s union representative is a
drug clueless middle-aged, married white male and clueless about drugs. (FLIGHT does not make being clueless about
drugs look like a virtue. How
true!) On racial issues, FLIGHT
soars. The truths here will perhaps make
this movie a classic. BILL W by
contrast, is a film almost exclusively about married white males. Not surprising considering AA’s early
history.
So what’s the point?
So
what morals do these two films propagandize?
FLIGHT says clearly to the alcoholic addict: The truth will set you
free. BILL
W says confusedly: Self-knowledge (truth?) will avail you nothing against
addiction. You need God’s help.
The
good thing about FLIGHT’s theory is that
it works whether God exists or not. The
problem with BILL W’s theory is that if God does not exist, all is lost.
If
today, I had to offer a newcomer to sobriety a copy of FLIGHT or a copy of BILL
W, I think I’d give FLIGHT. BILL W is a
1930s censored look at men and alcoholism.
FLIGHT is a more honest look at life, people and addiction in 2012. Bottom line, FLIGHT is a must see film anyone
in recovery today. Do not miss Captain
Cocaine praying with the Born Agains.
Praise Jesus!
****Five Stars. No reservations.
Tim
C.
November
24, 2012
Houston
TX
Sober
date: August 25, 1973
FLIGHT and BILL W: Two films
side by side with rigorous honesty.
FLIGHT
starring Denzell Washington is the 2012 cinematic story of a contemporary
alcoholic-addict whose line of work as an airline pilot had him spending lots
of nights in hotels and motels.
BILL
W starring at times Bill Wilson himself, at other times little known Blake
Evans as Bill Wilson as a young man, is
the 2012 cinematic story of a 1930s alcoholic-addict whose line of work,
researching investment possibilities around the country, also had him spending
lots of nights in hotels. Commercial
flying and motels weren’t common yet.
In
my opinion, FLIGHT gives us the story of airline Captain “Whip” Whitaker with
rigorous honesty. By contrast, BILL W
tells the story of the founder of Alcoholics Anonymous with far less than
rigorous honesty.
The
term rigorous honesty comes straight from AA literature and makes a
great tool for reviewing these two films about alcohol and drug addiction. Rigorous honesty is perhaps best
defined as “The truth, the whole truth,
and nothing but the truth.”
Let’s
take a look at how honestly these recent films deal with six important parts of
life: alcohol, drugs, sex, gender,
religion and race.
Alcohol and drugs. Regarding alcohol and drugs or intoxicants in
general, historical investigations have shown us for several decades now, that
both Bill Wilson and Dr. Bob Smith did lots of barbiturates along with their
drinking. Bill W even carried “goof
balls” around with him while sobering up Dr. Bob. Way back in the 1930s Dr. Bob was honest
enough to tell us he was obsessed with two fears: one, that he would run out of
booze; and two, that he would never fall asleep. BILL W mentions barbiturates and LSD briefly,
but in so doing, suggest they are not essentially related to alcoholism. FLIGHT by contrast, shows us so much about
alcohol and drugs, many younger people new to recovery have difficulty watching
the film without being triggered. Said
differently, FLIGHT tells more of the truth than BILL W.
Regarding sex, BILL W never even hints
that Bill Wilson was having lots of sex in those hotel rooms he inhabited while
he was researching for Wall Street investors.
Even worse, BILL W leads us to believe he did all his drinking
exclusively in the company of men. BILL
W even “recreates” one of Wilson’s last benders, a three day one in a cheap
Manhattan hotel room, as though there was nothing in that room but Bill and
booze. Now why would a New York married
man, chronically broke and famous for womanizing even in sobriety, be renting a
cheap hotel room in downtown Manhattan?
Probably not to be a hermit! The film BILL W airbrushes the sex out of
Bill Wilson’s story as did Bill Wilson himself.
Not surprising. Times were
different and Lois Wilson was often in the audience. Nonetheless, BILL W suffers by telling us
less than the whole truth. Some guess
those omissions led to long bouts of depression for Wilson. FLIGHT by contrast, shows us how a traveling lifestyle
leads to alcohol, drugs and lots of hot sex.
FLIGHT tells the whole truth.
Like most people, I like hot sex in my movies.
Regarding women, there are no women
alcoholics in BILL W. The wives of
alcoholic men do appear, mostly to wring their hands. BILL W is a documentary about married white
middle-class men. By contrast, FLIGHT
fleshes out the stories of both a male and a female alcoholic-addict. It gives us a little insight into the
addiction of one of Captain Cocaine’s female trysts. The women in FLIGHT are real, important. They too are protagonists. In this, FLIGHT is truer to life today. Bill W is of another age, pre-suffrage.
Regarding religion, BILL W, filmed for 2012
audiences, assumes those audiences will buy a 1930s religious sensitivity
without gagging. For example, BILL W, an
historical documentary, recreates Bill Wilson’s “white light” spiritual
experience by treating us thru camera trickery,
to bright light, clouds, and
blowing wind literally filling Bill’s hospital room. This skeptic guesses all that stuff happened
only inside Bill’s drugged up head.
Camera trickery of this sort is not rigorous honesty. It's a little more than the truth. By contrast, FLIGHT handles the issue of
belief systems and recovery with honest skepticism. My favorite scene in FLIGHT is where Captain
Whitaker meets with his co-pilot and with his co-pilots wife in the hospital
room. The co-pilot is laid up in splints
and traction devices. Medical dripbags
hang from stands in the background. Both
the co-pilot and his wife are ardent Born Again Christians. Mr. and Mrs. Co-Pilot and Captain Cocaine
kneel in prayer right there in the hospital room. Denzell Washington’s face
mutates subtly but he does not quite roll his eyes. Oscar winning, magical realism here! This scene merits viewing more than
once. FLIGHT invites the audience to
like the young couple while our jaws drop at their religious innocence
Regarding race, FLIGHT handles race issues
with sheer genius. This is of course a
Denzell Washington trademark. The
protagonist is a black male. His sexual
liaisons are tri-racial. His lawyer is
black, and very competent. This lawyer
is even slightly familiar with the cocaine scene. Captain Cocaine’s union representative is a
drug clueless middle-aged, married white male and clueless about drugs. (FLIGHT does not make being clueless about drugs
look like a virtue. How true!) On racial issues, FLIGHT soars. The truths here will perhaps make this movie
a classic. BILL W by contrast, is a film
almost exclusively about married white males.
Not surprising considering AA’s early history.
So what’s the point?
So
what morals do these two films propagandize?
FLIGHT says clearly to the alcoholic addict: The truth will set you
free.
BILL
W says confusedly: Self-knowledge (truth?) will avail you nothing against
addiction. You need God’s help.
If
today, I had to offer a newcomer to sobriety a copy of FLIGHT or a copy of BILL
W, I think I’d give FLIGHT. BILL W is a
1930s censored look at men and alcoholism.
FLIGHT is a more honest look at life, people and addiction in 2012. Bottom line, FLIGHT is a must see film for live wires in recovery. Do not
miss Captain Cocaine praying with the Born Agains. Praise Jesus!
****Five Stars. No reservations.
Tim
C.
November
24, 2012
Houston
TX
Sober
date: August 25, 1973